When hands struggle against clay ,there is a disorderliness an untidiness which a systematic ceramic art usually tries to eliminate,or bury as much as possible.But in the search for a new ceramic art,disorder it's self can provide the means with which to recover the form.In the chaos there is energy ,rather than view this energy as disruptive ,even destructive ,one can seek the liberating ,generative aspect of it,use it to translate the active disorder into form.Satoru Hoshino describes artistic practise.
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