"The problem since the very beginning upon leaving art school,was how to reinvent some rules,how to continue with abstraction but also introduce perspective. This led me to the problem,how to paint a painting that was not founded on bounded oneness, but contingent on different structures
,wether architectural ,optical or biographical. Making a painting which could be altered by its neighbour,became the way to make a painting. I was aware of the ego of the painting ,where it says its monocular one,and I've always thought thats something that could be disrupted,something you could think about and change........extract from an interview with the artist in Museo magazine by Paulua Pabocha 2010.
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